This work is a dance work inspired by the traditional forms of Bon Odori such as "Sign Poem" (mainly a reading expression of poetry based on sign language) and "Sicchoisa". In the venue space, various processes are developed, from sketching to draw the movements and movements of the dance to improvisational dance interaction. You can participate from any point, watch it, or enjoy it while traveling around. Through work and dance, the flow, movement, and facial expressions of people are reflected in the landscape every moment.
It is developed by the following three chapters.

1. Hand-reading dance
Hand-reading dance is an improvisational performance expression that mainly uses the facial expressions and movements of the hands, inspired by the poetry reading expression "Sign Poem" based on sign language.
<process>
• Make lines and shapes on paper, starting from things that you can perceive by hand, such as the shape, texture, weight, and temperature of things in your life.
• By tracing the trajectory drawn on the paper again with the movements of your hands and fingers, you can extract the dance movements.
• Mix events derived from the original context, such as those with colors, movements and facial expressions, those with mixed feelings and emotions, and those with memories and fantasies.

In addition, by co-producing these works with others, the image and scale of what is drawn are mixed, and the shapes of dances and swings react synergistically and change.

2. Sitchoisa
A form of Bon Odori that has been handed down from ancient times in the villages of the Azamihira district in Tokamachi City, Niigata Prefecture. Dance only by singing and clapping (ondo). The singer, the dancer, and the matchmaker interact with each other.
<Features>
• A song with 8 beats per verse, and 2 beats of "Sicchoisa!" (1 beat) + "Yoshitane, Yoshitane" (2 beats) in between, and a relaxed pace with a total of 11 beats.
• The dance movement is also based on stepping. It is a mechanism that gradually gets excited while singing and dancing slowly over a long period of time.
• When the venue gets hot, the singer excites the venue with ad-lib songs. Improvisational interactions occur in the dance, such as daily anger and complaints, gratitude and hard work, laughter and anger.

The hand-reading dance incorporates the elements of Sitchoisa's breathing (between beats and ondo) and the stepping of the dance.

3. "figure eight" orbital line
The figure eight line drawn on the floor of the tea room represents the trajectory and direction of the dance. This is derived from the bee's "figure eight dance". When the bees find a feeding ground with honey, they return to the nest and tell their friends the location of the honey by a method called "figure eight dance". The figure eight dance is performed by shaking the wings up and down and at the same time swinging the body (buttocks) left and right, drawing a figure eight on the nest. Depending on the number of vibrations and the direction of the walking trajectory, the distance from the nest to the feeding ground and the angle of the feeding ground starting from the position of the sun are communicated to the friends. Since the light is blocked inside the nest, the vibration of the air is used to propagate the symbolized information in a dance.

The figure eight straight line drawn on the floor of the tea room faces the angle connecting the tea room and the Azamihira district of Niigata prefecture, which is the birthplace of Sichoisa, starting from the position of the sun every moment. At the same time as paying homage to the annual village festival, it reminds us of "far away places," "people we can't meet," or "time that hasn't come yet." Then, by walking on the line while dancing a hand-reading dance, the people, things, places, landscapes, memories, emotions, fantasies, play, etc. that are the basis of each movement emerge, and the sun makes eight. The palm that dances in the shape of a figure is illuminated.